My name is Tiffany FitzHenry. I’m a wife, mother, independent author, public speaker and screenwriter. Over the last year-and-a-half I’ve been an active, vocal and visible Hollywood whistleblower.
My experiences within Hollywood began in 1999. After studying film and screenwriting, I moved to L.A. and landed an internship working for Arnold Kopelson (The Fugitive, The Devil’s Advocate, U.S. Marshals). Within a couple weeks I was hired by John Davis (Predator, Dr. Dolittle, Behind Enemy Lines) and was being groomed to become a development executive at that company who had a deal with 20th Century Fox. On my way to a six-figure job at 21 years old, for a series of different reasons, I left Hollywood at this point. Over the next couple of years, I got married, had kids and stayed home to raise them. After moving to Atlanta in 2009, and with my children in elementary school, I began writing in a serious and focused way. I wrote several feature scripts, which began being highly placed in prestigious competitions and getting the attention of managers and agents in Hollywood. At this time my feature script Jerry at The Cemetery was optioned by Hana Road Productions.
Besting over 9000 scripts internationally, two of my feature scripts went to the top of the Oscars screenplay competition at the same time, a rare feat.
The same year, I wrote my first TV pilot, called First Ladies, a one hour drama series centered on the wives of preachers. The script garnered tremendous attention from the most powerful people in Hollywood and major networks. Quickly scooped up by the top reps in the business, I began taking meeting at places like ABC and Sony, working with the biggest producers on getting First Ladies made, as well as developing and pitching other shows. Over the course of the next 5 and a half years, while I was being groomed to be, quote, ‘the next Shonda Rhimes,’ I was repeatedly told I’d have to be willing to do anything, even prodded to say these very words in network meetings with the most powerful executives in the business who I was told were waiting to hear me say it – I refused to do this.
I began to truly see behind the veil into a world few ever get to see. I believe I was being shown by God how the whole system actually works. I continued writing and pitching shows and continued bringing projects into Hollywood at the highest level and with A-list stars and producers attached, such as a pilot called Dignity with Monica Potter (NBC’s Parenthood, Patch Adams) attached to star and produce.
During this entire time I was continually sexually harassed, and routinely instructed to send nudes – which I refused to do. I vented about the situation to one of my former bosses from my earliest experiences in Hollywood whom I had remained close to and who was now an extremely successful writer and director. She told me all of this was normal, her reps ‘were perverts too,’ and that this is just the way it is, advising me to deal with it and play the game. She was telling me I was going to have to sell my soul, though I didn’t fully understand this yet.
I then wrote a feature script called Vicious Play which my reps were extremely excited about and which prompted a meeting with a powerful producer named Bob Teitel (Men of Honor, Soul Food, Barber Shop). He loved my writing and wanted to commission me to write “Working Girls” and or “9 To 5” for an “urban audience.” Though he was very clear I’d have to dumb it down, saying, and I quote, I’d have to “write less intelligently for black audiences.” This made me want to vomit and it was yet another lesson in my education of how this beast works and all the dark things it’s used to do.
That night Bob spent 30 minutes in the lobby of my hotel pressuring and trying to intimidate me into letting him come up to my room so that he could masturbate while I watched. I felt scared for my safety and was looking around trying to determine what strong trustworthy looking man I was going to sprint to if it came to it. Bob made it clear that this was all part of it, something I was going to have to do. I told him no, knowing it would negatively affect my career.
At this point I was disgusted, disillusioned and extremely depressed. This was the lowest point of my life. Knowing I wasn’t going to sell my soul to the Hollywood gatekeepers, my husband and I formed a publishing company and over the next 2 years I wrote and published three books, a young adult novel trilogy called The Oldest Soul. Myself and my husband have 100% control over theses books, everything about them, everything in them, and anything else I’ll ever publish. Yes, I chose to put the eyes of my characters on the covers. My covers were designed by an independent artist whom I met through a crowdsourcing website, her name is Vanessa and she’s amazing. Like all of us who’ve gotten a crash course in the way the world has been running without our knowledge, I wasn’t aware of symbolism then the way that I am now. Ironically enough, my books are about the great awakening and about shifting from a world ruled by dark beings hoarding hidden knowledge to a liberated one. One day I hope to independently produce (and hopefuly direct) the movies.
At this time, I also began learning about the C.I.A./Pentagon involvement in Hollywood. As a writer, I know well the power of storytelling. I know that it can be used for both light and dark purposes and that it is the number one way to deceive and control people.
Much to the chagrin of my reps, I began going to universities to lecture about the hidden hands involved in crafting the content coming out of Hollywood, to remind people of the importance of storytelling and to educate them about what it was being used to do to us and our society as a whole.
In 2017, after the Weinstein story broke, I began to understand what God was calling me to do, and why he put me on this planet. My whole life suddenly made sense. I had to do everything I could to save storytelling from the dark forces who’d hijacked it and return it to the artists and their audiences, where it belongs. I knew that to do this I was going to have to begin to educate the public in a big way about how Hollywood actually works and why. That it was a closed power system of compromised controlled influence, intentionally crafting our stories in order to control the population.
At this very time, I had a big named star attached to produce another one of my projects, a TV pilot called Peaches. But I’d also come to understand that getting this show made was going to come down to me being willing to compromise myself to powerful people who’d then control me and thus control what I wrote. I knew that in the current system having to be willing to ‘do anything’ wasn’t going to go anywhere unless someone did something about it. I knew that the current system wasn’t about being the most talented person. It was about being the most talented person who was also willing to do anything for fortune and fame. With Peaches sitting on the desk of one of the partners at CAA and also on the desk of the head of drama development at Fox, I took a deep breath and made a periscope video outing Bob Teitel and the system at large, throwing myself and everything I’d built into the fire in order to expose and begin to work to change the system – doing what God was loudly and clearly telling me to do despite my own personal interests in absolutely every conceivable way.
Protected by the Armor of God, and with the strength and support from my husband and kids, I’ve spent the last year confronting head on this dark power system, educating as many people as humanly possible about how important storytelling is, how and why it’s been hijacked, and exacting a plan to take it back.
Stories shape society more than anything else. The concept of ‘entertainment’ is possibly, without exaggeration, the biggest lie ever told. “Pop culture” has been an elaborate and well-laid plan by diabolical people who want to control you and rule the world. People who want to have their agenda over our planet, instead of God’s, using stories in order to accomplish their goal.
Because our stories tell us who we are, and what to do, and because we innately listen, they shape our entire existence. We can reclaim our world for the light simply by reclaiming our stories. This is why Hollywood must be dismantled and the power of storytelling decentralized. Save storytelling, save the world. It’s that simple. This is my mission from God and I will stop at nothing to accomplish it.
Lately this mission has been gaining tremendous traction, my work has been gaining visibility and reaching vast amounts of people. So naturally operatives have been activated to try and discredit me. This is boringly predictable stuff. Their tactics never change, luckily there are three things that can not stay hidden; the sun, the moon, and the truth.
Many people in Hollywood know that I could sue them for sexual harassment among other things, they know that I could start dropping very unflattering emails and text messages all over the internet – and what a PR nightmare that would be. I have no plan to do either one of those things, don’t give me a reason.
To anyone dumb enough or compromised and complicit enough to try and stop what I’m doing, which is simply to present the public with meaningful and substantial alternatives to Hollywood, think about this. If I’m willing to take on the C.I.A., deep state, and the most powerful people in Hollywood, your internet trolls and little minions should probably stand down. Take a lesson from Andy Lassner, Jake Tapper, George Clooney, and Ellen Degeneres, don’t get my attention and stay the fuck out of my way.
Just shut up and step aside, this is the part of the story where the heroes rise from the ashes, unexpectedly decentralize storytelling, and save the world.
Hollywood will no longer be the epicenter. The prison pyramid will collapse. Artists and creators will no longer be forced to choose between living their purpose and selling their soul. Hollywood will come to heel at the feet of the artists, and the world will understand something like never before; that art is God talking. The messages that come through in stories and inspired creations are divine. They are humanity’s birthright. We always have and always will look to art to guide us. Those who’ve controlled the levers of power in this world have known that for a long time. They used art and artists to build the world they wanted, instead of what was supposed to be built. It’s from these very people who we’re taking it all back.
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In Love and Truth,